Vocal range tester. Sing your lowest and highest notes and AI tells you your range and voice type.
Select the AI model for audio analysis. Different models may have different capabilities.
Record audio directly from your microphone
Testing your vocal range works like this: record yourself singing from your lowest comfortable note up to your highest, upload it, and the AI identifies your lowest note and highest note (with note names and octaves, like E2 to G4), your total range in octaves and semitones, and your voice type classification (bass, baritone, tenor, countertenor, contralto, mezzo, or soprano) with the reasoning behind it. It also identifies your tessitura, the range where your voice sits most comfortably, which matters more than your extremes for actually choosing songs. The analysis includes popular songs that suit your range and notes on whether you are pushing your range or using it comfortably, the difference between notes you can technically hit and notes you can perform. Most singers either underestimate their range out of caution or claim extremes they can only squeak; this replaces both with note names you can verify at a keyboard.
Record yourself sliding or stepping from your lowest note to your highest (sirens, scales, or a song that spans your voice all work) and upload it. The AI identifies the pitch of your lowest sung note and your highest, expressing both as note name plus octave. Range calculation converts the span into octaves and semitones. Voice type classification weighs not just the endpoints but where your voice sounds full and natural, since a baritone who can falsetto up to a tenor C is still a baritone. Tessitura analysis locates the comfortable core of your range, the zone where you could sing all night. Song matching suggests popular music that fits that core rather than your absolute limits. The strain assessment flags which end of your range sounded pushed (tight, breathy, or unstable) versus genuinely owned, useful for knowing what to train next.
Sing from your lowest comfortable note up to your highest, upload the clip, and the tester returns both endpoints as note names with octaves (say, G2 to E4), your total span in octaves and semitones, and a voice type call with the reasoning. You can verify the note names at any keyboard afterward.
Slide or step through your range in one take: start low, siren or scale upward, and let the top notes be honest rather than forced. Warm up first, because a cold voice can shave a third off both ends. A clip of 20 to 60 seconds covering both extremes is enough.
Yes. It classifies across bass, baritone, tenor, countertenor, contralto, mezzo, and soprano, but it weighs where your voice sounds full and natural, not just your extreme notes. That is why the tessitura section matters: plenty of baritones can touch tenor notes without actually being tenors.
Pitch detection on a clean solo voice is reliable, so the note names are usually trustworthy. The honest limits: background music or heavy reverb can confuse the endpoints, a squeaked top note may register even if unusable, and voice type from one clip is an informed estimate. The strain notes flag which extremes were pushed rather than owned.
The analysis suggests popular songs matched to your comfortable core rather than your absolute limits, which is the difference between a song you survive and one you perform. If you have a genre in mind, mention it in the notes field and the suggestions skew that way.
It registers whatever you sing, so falsetto extends the measured top. The write-up distinguishes full voice from falsetto when classifying voice type, since classification rests on your supported range. If you want both numbers, sing your chest-voice ceiling first, then add falsetto, and the report can address them separately.
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