BPM finder. Upload any song clip and AI detects the tempo, time signature, and any tempo changes.
Select the AI model for audio analysis. Different models may have different capabilities.
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Finding the BPM of a song is as simple as uploading a clip: the AI detects the tempo and returns the primary BPM estimate with a confidence level, so you know whether the reading is solid or whether the track sits in ambiguous territory (a common issue with half-time feels that read as either 70 or 140). Alongside the number you get the time signature (4/4, 3/4, 6/8), any tempo changes including ritardando or accelerando sections, and a description of the rhythmic feel: straight, swung, shuffle, half-time, or double-time. It finishes with DJ-friendly notes on whether the track would mix well at the detected tempo. That last part matters because raw BPM alone does not tell you mixability; a 174 BPM drum and bass track and a 87 BPM hip-hop track share math but not energy. Use it for DJ set prep, remix and sampling work, music production, or settling the classic argument about whether a song is fast or just busy.
Upload any song clip and the AI analyzes the rhythmic content. Tempo detection produces the primary BPM estimate with an explicit confidence level, making educated calls on tricky material instead of refusing. Time signature analysis determines whether the track is in 4/4, 3/4, 6/8, or something less common. Tempo change detection scans for sections that slow down or speed up, including gradual ritardando and accelerando rather than just hard tempo jumps. Feel classification describes how the rhythm actually sits: straight eighths, swing, shuffle, half-time, or double-time, which is the difference between two tracks at the same BPM feeling completely different. The DJ notes then translate all of this into practical mixing guidance, like whether the tempo is stable enough to beatmatch and what tempo range it pairs with.
Upload a clip and the detector returns the tempo in beats per minute with a confidence level, plus the time signature and any tempo changes it hears. You also get the feel classification (straight, swung, shuffle, half-time, double-time), which matters because two tracks at the same BPM can groove completely differently.
Half-time ambiguity, the classic tempo trap. A trap or dubstep beat with a snare on beat three feels half as fast as its hi-hats suggest, so 70 and 140 are both defensible answers. The analysis picks the more musically useful reading, states the alternative, and tells you which interpretation DJs would use.
Fifteen to thirty seconds of rhythmically active material is plenty. Choose a section with the full drum pattern running rather than an ambient intro or breakdown. If the song changes tempo, upload a longer stretch so the analysis can map where the shifts happen instead of averaging them into one misleading number.
Yes. Alongside the BPM you get the meter (4/4, 3/4, 6/8, or odder), plus any ritardando, accelerando, or hard tempo jumps with where they occur. That matters for live recordings and older tracks cut without a click, where the tempo breathes a few BPM across the song.
Within a BPM or so on steady electronic and pop material, with stated confidence on everything else. The honest failure cases: half-time versus double-time readings, rubato performances with no fixed pulse, and sparse ambient material where the beat is implied. Rather than refusing on hard cases, it gives a best estimate and flags the uncertainty.
That is built into the output: alongside the tempo you get notes on how the track behaves at that BPM for mixing, including whether the feel will fight a straight grid. Knowing a song is 126 BPM with a swung shuffle tells you more about mix compatibility than the number alone ever will.
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